- Programa
- Como desenhar um território? (How to design a territory?) - Theater Creation Workshop with Marco Paiva
The Formas de Fazer (Ways of Doing) cycle offers a series of activities parallel to the shows, with the aim of creating a space to share the practices, methodologies and ways of working of artists and collectives who visit the Theater.
Aimed at students, professionals and amateurs of the performing arts, the project promotes workshops, masterclasses and exhibition sessions, providing an environment for sharing experiences and new learning.
In this workshop, the construction of a common space is an action in constant movement. The success of this construction depends to a large extent on our ability to nurture a permanent dialog with that same space, to remain attentive to its mutations and to act strategically on its diversity. We are, hopefully, both rational and emotional, strategists and poets, concrete and emotionally eager to be as happy as possible. It is on the basis of this dichotomy that the artist proposes this fall in love with the invisible in order to transform what already exists into something better. Let's draw our territory, analyze it, look outside it and return to make it grow. All this through art's extraordinary ability to make visible what is already just around the corner.Duration 4 hours
Target audience Professionals, amateurs, students or those interested in the performing arts, with or without disabilities and deaf people
Como desenhar um território? (How to design a territory?) - Theater Creation Workshop with Marco Paiva
The Formas de Fazer (Ways of Doing) cycle offers a series of activities parallel to the shows, with the aim of creating a space to share the practices, methodologies and ways of working of artists and collectives who visit the Theater.
Aimed at students, professionals and amateurs of the performing arts, the project promotes workshops, masterclasses and exhibition sessions, providing an environment for sharing experiences and new learning.
In this workshop, the construction of a common space is an action in constant movement. The success of this construction depends to a large extent on our ability to nurture a permanent dialog with that same space, to remain attentive to its mutations and to act strategically on its diversity. We are, hopefully, both rational and emotional, strategists and poets, concrete and emotionally eager to be as happy as possible. It is on the basis of this dichotomy that the artist proposes this fall in love with the invisible in order to transform what already exists into something better. Let's draw our territory, analyze it, look outside it and return to make it grow. All this through art's extraordinary ability to make visible what is already just around the corner.
The Formas de Fazer (Ways of Doing) cycle offers a series of activities parallel to the shows, with the aim of creating a space to share the practices, methodologies and ways of working of artists and collectives who visit the Theater.
Aimed at students, professionals and amateurs of the performing arts, the project promotes workshops, masterclasses and exhibition sessions, providing an environment for sharing experiences and new learning.
In this workshop, the construction of a common space is an action in constant movement. The success of this construction depends to a large extent on our ability to nurture a permanent dialog with that same space, to remain attentive to its mutations and to act strategically on its diversity. We are, hopefully, both rational and emotional, strategists and poets, concrete and emotionally eager to be as happy as possible. It is on the basis of this dichotomy that the artist proposes this fall in love with the invisible in order to transform what already exists into something better. Let's draw our territory, analyze it, look outside it and return to make it grow. All this through art's extraordinary ability to make visible what is already just around the corner.
Duration 4 hours
Target audience Professionals, amateurs, students or those interested in the performing arts, with or without disabilities and deaf people
Target audience Professionals, amateurs, students or those interested in the performing arts, with or without disabilities and deaf people
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