The artistic collaboration between Francisco Camacho and Meg Stuart dates back to Stuart's earliest works, namely Disfigure Study (1991). Their deep personal connection has developed through various projects, such as the acclaimed solo piece by the American choreographer BLESSED, which Camacho has been performing since 2007. Now, for the first time in three decades, they come together on stage for a duet inspired by the mysterious Nuragic ruins of Sardinia. In the twilight of this ancient civilization, stone giants guarded the island's shores - vestiges of a rich culture that slowly eroded away. Going beyond the walls of museums, Camacho and Stuart investigate the gaps, the absences in the records - what remains? 

Set designer Gaëtan Rusquet and sound designer Vincent Malstaf create a landscape that, like the nuragic sites, may have come from the future, or even exist outside of time. In this space, Camacho and Stuart excavate emotional artifacts. They look for contrast in size and scale: minimalist poses teem with feeling, while anger and strength are compressed and contained. By listening to the past, they build an archaeology of the present that doesn't distinguish between the mystical and the mundane.